Welcome to Cabin Green, where the setting is familiar, but the story is completely unexpected.
“A spectacular read…absolutely gripping. I couldn’t force myself to put it down.” – The Horror Report
FEATURED ON:
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’13 Most Chilling Horror Books of 2018′ – PopSugar
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‘Best Horror Books of 2018’ – Inquisitr
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‘2018’s Scariest Horror Books’ – Ranker
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‘7 Horror Books That Scared Me Half to Death’ – BoredPanda
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Top Vote-Getter in the Horror/Suspense Category of the 2018 Reader’s Choice Awards by The Kindle Book Review
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#1 Amazon Best-Seller in Gothic, Ghosts, U.S. Horror, & LGBT Horror
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#1 Amazon Best-Seller in U.S. Horror New Releases for Three Consecutive Weeks
“A haunting tale.” – PopSugar
This terrifying slow-burn combines the literary Gothic prose of Shirley Jackson, Ambrose Bierce, & Thomas Tryon with the “what’s really real?” aspects of The Shining. Cabin Green has also been compared to the devastation of Hereditary and the socially progressive, ambiguous approach of Paul Tremblay.
Going to Cabin Green alone after the death of his fiancée was Ben’s first mistake. His second mistake was tempting fate by saying, “There’s no such thing as an evil building.” Now he’s caught in a nightmare of his own making deep in the woods of Northern Michigan. Even worse, a family history of mental illness makes it impossible for him to know if the ghosts haunting the cabin are real or all in his head.
This modern Gothic horror story takes the reader directly into Ben’s hellish experience. Is he crazy? Is a ghost haunting him? The only way to find out is to make it to the end of this deep, dark thrill ride that’s filled with more twists than a roller coaster.
EDITORIAL REVIEWS:
“Takes [the] standard genre template & turns it upside-down…with a literary approach that combines modern & mid-twentieth century techniques.” – The Inquisitr
“Unique…and what an ending…[it’s a] sucker punch.” – HorrorTalk
“A breath of fresh air…instilling such a deep, feral fear of the unknown that Shirley Jackson would be proud. Taylor doesn’t pull any punches, and she refuses to play it safe, something that the horror genre could use a lot more of.” – Mangled Matters
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